Showing posts with label 18-135mm. Show all posts
Showing posts with label 18-135mm. Show all posts

Friday, April 22, 2016

Published 9:57 PM by with 0 comment

Image Acquisition - Best Practices



I think it's fair to say that, for most people, the immediacy of digital photography is preferred over the film equivalent of the good old days. It's certainly less expensive than film, costing virtually nothing to shoot as many images as we please. This can also lead to the side effect of amassing gigabytes of unneeded and unwanted image files.


Recently, I began to run out of space on my two main hard drives. I examined the data in greater detail and found that I had tens of thousands of photographs just sitting there unedited. The actual quantity of images didn't really surprise me but it was a wakeup call nonetheless. I realized that I'm shooting more photographs than I can ever mentally or digitally process. So it made me think about changing a few of bad habits.



1. Slow down and pay attention - When possible, I will put on the brakes while photographing a subject. I will try to imagine only having 12 exposures on a roll of film so that every shot counts. Each composition needs to be studied and fully contemplated before I press the shutter (assuming it's not an action or event-based scene). This is a good exercise in general because it will yield fewer photos and more "keepers".
2. Keywords - Most all photo editing software allows you to add keywords to the metadata in your image. It's wise to do this at the capture stage so that image of your dog in Barbados can be easily found amongst the thousand shots you took of your cat in Barbados. I haven't been doing this consistently so I will fix that right now.
3. Delete, delete, delete - When I have thoroughly reviewed and chosen my best shots, I will trash the rejects. I'm a photo hoarder, never wanting to delete anything for fear I'll need it for some abstract reason in the distant future. In the 15 years I've been shooting, this need has never materialized.


There are those who say that large hard drives are cheap and there's no need to worry about storing thousands of photos. That may be the case but, with some simple media management, I can spend more time editing and less time sorting. That's what I want.


Digital photography is a truly amazing medium and we have all the tools needed to manage our photographs efficiently. I think a marriage of today's technology and some time-honored principles from the past will make the experience more productive...and enjoyable.




My Adobe Spark (formerly Slate) presentation of this post is available here

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Wednesday, October 14, 2015

Published 8:08 AM by with 0 comment

Desert Oasis - Traversing California's Dusty Roads



Linda and I spent a month in Santee, California to see our daughter Tara. We didn't expect the sustained heat wave that had temperatures in the triple digits so we planned a few day trips to escape the inferno.
We decided to scout out some nearby locations in the desert that were on our upcoming travel agenda. Of course, going to the desert wasn't exactly going to help us escape the heat but that's what air conditioning in our car is for, right?
I have to admit that, on the outset, the idea of staying in a dry and dusty environment for any length of time was not something I was excited about. I have since discovered, however, that quite the opposite is true and that there is something wildly intoxicating about the desert.


It's hard to articulate my newfound attraction so I went in search of a way to explain the experience. First stop: Google. Almost immediately, I found the following quote by the founder of Desert Magazine, Randall Henderson. He sums up my own feelings beautifully:
"'For there are two deserts: One is a grim desolate wasteland. It is the home of venomous reptiles and stinging insects, of vicious thorn-covered plants and trees and unbearable heat ... visualized by those with children of luxury to whom any environment is intolerable which does not provide all the comforts and luxuries of a pampering civilization. ... The other desert -- the real desert -- is not for the eyes of the superficial observer or the fearful soul of the cynic. It is a land which reveals its true character only to those who come with courage, tolerance, and understanding. For those the desert holds rare gifts".
While I'm not sure about the courage part for myself, I certainly believe that there is beauty to be found everywhere, even if it first appears as all scrubs and sand. With open eyes and an open mind, the experience can be a rich one. Although we have only spent limited time there so far, I'm looking forward to immersing myself further in this new world.

Borrego Springs
The drive down into the flat plains of Anza-Borrego State Park is breathtaking. State Highway S22, better known as the Montezuma Grade, winds its way down in dramatic fashion with views of the surrounding Santa Rosa mountains, the sprawling desert floor and the Salton Sea on the horizon.

Borrego Springs itself is a small town, sprinkled with restaurants and RV parks. We actually spent most of our time a few miles east of town, checking out the Rockhouse Trail area where we intend to boondock (RV camping at primitive sites without electricity or water). At the end of this first day, I was smitten with the place.




Palm Springs
Palm Springs is one of a series of desert towns that run into each other in the Coachella Valley. It's most famous as a destination in the fifties and sixties for such celebrities as Humphrey Bogart, Lauren Bacall, Clarke Gable, the list goes on. Frank Sinatra and the Rat Pack were known to sing a tune or two while having a nightcap or six. Even Elvis got in on the action by spending his honeymoon there with Priscilla.
What drew me in mostly, however, was the other thing Palm Springs is famous for; it's mid-century modern architectural homes. For as long as I can remember, I've been a fan of all things 1950s. I love the fashion, the interior design and the genius architects of the time. I was thrilled when Mad Men first began to air because I could immerse myself in that world for an hour every week.
Mid-century modern architecture, while largely associated with mingling by the pool with martini in hand is, to me, a classic example of timeless design. The simplicity of lines, the flat washes of bold color and the scant but geometrically-perfect front yard schemes, all conspire to form a kind of perfection in my eyes.
For me, as a photographer, it was a rare treat. It was like walking around a movie set. The backdrop of mountains and palms was exotic as were the streets lined with these gorgeous houses.

Palm Springs Modernism
Mid-century modernism features clean lines, integrated indoor/outdoor living spaces and an overall simplicity in its aesthetic.


Bold Light and Shady Trees
The desert sun accentuates the architectural lines of the abundant mid-century residences. Some of these houses, when first built, came with landscape features, including a set of two palm trees. This particular neighborhood is aptly named Twin Palms.






Elephant Feet
All around are mountain views and huge palm trees with lofty bases reminiscent of the limbs of giant elephants.






The Slabs and East Jesus
If you're familiar with the world of Mad Max (sans the violence), then you can begin to imagine the experience of being at Slab City, or the Slabs, as it is known.
Deriving its name from the concrete slabs that remain from an abandoned World War II barracks, Slab City sits in the Sonoran Desert about 150 miles northeast of San Diego. It is a winter haven for campers, artists and those searching for meaning in their lives. You won't find running water, electrical services or convenience stores here.
The "residents" who live here during the non-summer months have concocted ingenious ways to exist off the grid. From composting toilets to eking power out of discarded and/or damaged solar panels and batteries, they have constructed a self-sustaining environment that runs against the odds. Given that it was only a couple of hours drive from Santee, it was a no-brainier for us to go visit.
Our first stop was Salvation Mountain, a man-made concrete mound about three stories high and covered top to bottom in acrylic paint. It was the brainchild of one Leonard Knight, former resident and larger-than-life character who would meet and greet the many daily visitors and even give personalized tours to a lucky few. Alas, he passed away in 2014 but his legacy is plain to see. Tourists are encouraged to add their own artwork and paint cans and brushes are provided for those feeling a creative urge.


We drove into the Slabs and gawked at some of the blinged-out RVs, cars and trucks. Each space was carved out with artistic flair, some more creative than others. One site was tidy, while the other looked more like a junkyard. There was an otherworldliness to the entire place. We zig-zagged our way until we reached East Jesus, the central hub of artistic expression.
Frankly, it was a little intimidating walking around and, although photography is allowed and actually welcomed, I couldn't help but feel a little like a voyeur on some stranger's property. There were fascinating objects everywhere, from a half-buried bus to items of decay refashioned as sculpture. There was even a human skull on display, complete with fake eyeballs.


While in the sculpture garden, I was welcomed by Frank. He lives in East Jesus and gives tours to visitors. I wasn't expecting to see anyone because it was upwards of a hundred degrees while we were there. Frank was a towering figure and friendly, if not a little manic. His sense of humor was somewhat jarring at first. After he gave me his initial schpiel, I asked if he lived here. "No, of course not, I'm just some fucking random guy who's here masquerading as a tour guide!", he replied. It was delivered with a Joker-like smile so I nervously laughed it off. He then left me among the sculptures saying I was free to photograph whatever I wanted.








Walking around the garden and seeing everything we typically throw away made me think about how much each of us consumes over time. It's amazing the things we take for granted, like never worrying about where our trash goes once it's collected. Anyway, enough trash talking, back to the story.
Frank appeared again shortly after my initial encounter. He materialized, it seemed, out of nowhere. If there was a soundtrack in my life, this is where the jump scare orchestral stab would occur.
Photographers, it seems, are held in high esteem here at East Jesus and maybe Frank even took a liking to me. He invited me behind the scenes for a private tour of some of the living quarters. I felt like Dorothy meeting the Wizard.

"Walter the Bus" had a recent mural makeover courtesy of artist Christina Angelina.

Frank spoke at a frenzied pace now and wouldn't allow questions. He laughed maniacally when I tried to speak and said "Look, this tour is a performance, don't interrupt. I guarantee your questions have been asked a thousand times and they will be answered all in good time". I'm not going to lie, there was something intimidating about Frank. Not threatening in any way, but I didn't want to distract him while he spoke for fear of getting him off his game.
In the meantime, Linda was sitting in the car waiting for me. The last she heard, I was taking a few photos in the sculpture garden and would be right back. That was twenty minutes ago! I managed to shoot her a text while Frank wasn't looking. "On a tour!" I quickly typed. I felt relieved that she at least knew I wasn't dead or kidnapped or attacked by scorpions.



The tour wound up and I was finally able to make my escape. Had I been there alone, I probably would have stayed to get some more photographs but with the high temperatures, I wanted to get back to Linda and move on. We'll be back in the area in at some point so I didn't feel like I was relinquishing a once-in-a-lifetime opportunity.
Honestly, the whole experience was unique, in the true sense of the word. I think that everyone who comes here will walk away with a different perception of the place. There is an associated Website for East Jesus and it's fascinating to read the mission statement. If you're interested, click on this link.

So, while Randall Henderson says there are two types of desert, I would add to that and say there is also an infinite number of experiences to be had. Being there, for me, was infectious. It has already gotten under my skin and I am counting the days until we return.
My Adobe Spark (formerly Slate) presentation of this post is available here
If you would like to keep up with my travels, sign up to be notified of new posts. Peace.
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Tuesday, September 22, 2015

Published 10:15 AM by with 2 comments

The Color of Autumn - A Season of Transformation


When I was growing up in Ireland, autumn always signaled a time to gather horse chestnuts for a game we played called Conkers. The goal was to separate the chestnut from its prickly skin and thread a string through it. I would then take turns with my opponent to try to smash his chestnut with my own.

It was pretty primitive entertainment but, by cracky, we made it work and had fun nonetheless. Of course I also noticed the leaves and colors of the season but it was more in my periphery than something that really made an impact.



The Road to Creede in Colorado.

For me now as a photographer, autumn is a transformation of the summer landscape into a magical kaleidoscope. It's the season where nature is screaming to be heard, although, it certainly doesn't need to raise its voice too loud to get my attention.

Living on the road poses unique challenges where I actually have to track the season down. Some states I've been to don't even have fall. As a result, Linda and I try to plan our travels to include places where we can do our best leaf-peeping.

Our campsite at Elk Creek near Gunnison in Colorado.
When I visited Colorado recently, fall had not quite arrived. There were hints of it, alright, but the cavalcade of color I was expecting was still a few weeks away. In order to seek out those desirable shades of red, orange and yellow, I had to drive to higher elevations and by higher, I mean over 10,000 feet.
The road from Gunnison to Creede in Colorado is a feast for the eyes. There are beautiful mountain and meadow views in every direction. To describe it as epic would barely scratch the surface of the visual experience. As the road literally began to rise past the little town of Lake City, the rich colors I was after began to show face.






Wonderful fall colors on the way to Creede.
There is an observation area along the way, at an elevation of over 11,000 feet, called Windy Point that has phenomenal views of the San Juan mountains and the lush valley below. While there, the weather was favorable for dramatic light. Sunbeams moved about like a searchlight. One moment they would sweep across the valley floor and in another instant, would light up the colorful peaks. Every photograph was different, despite being only seconds apart. I felt like these images were going to be my best work.
Later, when I was capturing and sorting, I hurriedly scrolled to the Windy Point photographs, eager to see my masterpieces. The first few looked really busy and the compositions were unbalanced. Oh well, I thought, these are just a result of me getting my bearings. As I went through the rest, I became more and more disappointed. There was just too much going on in each frame. In general, I prefer simple compositions but these images had no structure, no focal point. There were a few I could rescue by cropping but, all in all, I was pretty bummed.

Fantastic view but a compositional failure, in my opinion.

This one is a little better. The vivid colors help somewhat with the balance of the picture.
There's an argument to be made for using a tripod and it's not just to keep everything steady. When I tether the camera to a firm set of sticks, suddenly the act of making a photograph takes on more importance. There is more deliberation and intention to the task at hand. When I look through the viewfinder, I tend to pay a lot more attention to the composition. It's a less frenetic experience, as it is when I am freely wielding the camera from left to right or up and down, reacting to what's happening in front of me.
There's absolutely nothing wrong with shooting handheld, but perhaps if I had used a tripod for the vista at Windy Point, the pictures would have been better. I simply would have taken more time and care while composing each picture. I don't know but this kind of thing has happened to me before. I get excited about what I'm seeing, click the shutter until my finger goes numb and feel like I've captured the photograph of the century. Only, I didn't and the images don't even make the first cut.
Luckily for me, there were literally hundreds of opportunities along the road to Creede to make up for the lackluster batch At Windy Point.

This is one of my favorite shots. The row of trees make a lovely autumn motif and frames the photograph nicely.

So, maybe I need to slow things down a bit. Instead of finding ten places to stop on a single trip, I might yield more success if I pick, say, three spots to shoot. If I use my tripod and be really mindful to what I'm seeing, it's possible I might just find the composition that looks as good at home on my computer as it did in the field.

Mountains and Valleys
The colors of the mountains in this area of Colorado are just gorgeous. Add some fall tones to the mix and the resulting cocktail is delicious.




Fall Preview
When we first arrived in Colorado, there were only hints of the colors to come, the trailer to the big movie, if you will. Here, by the Taylor Reservoir, a few flecks of yellow look like dabs of paint from an artist's paintbrush.


Despite all, I still feel like I left beautiful Colorado with a nice collection of photographs that adequately capture the experience of being there. In the meantime, I'm looking forward to trying new techniques in my quest for the perfect image.

While not a fall-themed image, I really like this shot from our first morning at Elk Creek.

One of the last sunsets as we bid farewell to Colorado.

My Adobe Spark (formerly Slate) presentation of this post is available here

If you would like to keep up with my travels, sign up to be notified of new posts. Peace.

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Monday, September 07, 2015

Published 1:22 PM by with 0 comment

Good Light Hunting - In the Heart of Colorado



No doubt everyone knows that light is the single most important component in creating a photograph. There are basically two broad light categories in photography; natural and controlled lighting. The latter, as it suggests, is predictable and is used in studios or as a supplement to outdoor illumination. Natural light, on the other hand, is arguably not controllable so keeping an eye on weather forecasts, etc. is, not only helpful but a necessity.

Because my concentration at the moment is landscape photography, I'm always at the mercy of whatever Mother Nature doles out. What makes things even more unpredictable is that I'm constantly on the move from state to state.


The first thing I do when I arrive at a new location is use my iPhone to figure out a few basic things. For weather forecasts, I've found the AccuWeather app to be the most helpful, particularly for predicting fog. Everyone has their own favorite weather app but this works for me.

I use an app called PhotoPills to determine when the sun and moon rise and set. This app is like the Swiss Army knife of photography apps. It also displays three-dimensional Interactive overlays of the exact position of the sun and the moon throughout the day. So if I scout out a place where I want to shoot the sunset, for instance, I can hold my phone up to the sky and move it around to see the precise spot on the horizon where the sun will disappear. I also use the app to do calculations for long exposure when I am using an eight-stop ND filter. I can't recommend it enough so go get it.

  
AccuWeather and PhotoPills for me are indispensable.

I have found the quality of light to be different for each state I've visited. I'm not sure what accounts for this aside from the effects of being at a different longitude. I'm sure atmospheric conditions, both natural and man-made are also influencing factors. It's exciting for me because each situation poses new challenges and new rewards. There is nothing quite like being able to capture the personality of light.
Recently, my travels took me to Gunnison in Colorado. Here, at the end of the summer, there was all manner of weather drama. Almost every evening there was a thunderstorm and each morning had clouds hiding and revealing the sun. Across the landscape, this made for beautiful pools of light and when it shone full on the wonderful rock structures, I was in black and white heaven.
The day after I arrived, I got up at what felt like the witching hour to capture the sunrise. The weather called for intermittent clouds so I was expecting to make some interesting photographs. For this trip, I decided upon the nearby Blue Mesa Reservoir, a massive presence with craggy rocks looming above the water's edge. I had a hard time figuring out the most advantageous spot because I was literally driving in the dark. Eventually, in the faint glimmer of dawn, I managed to find a little turnoff and unpacked my gear.
I have a Fujifilm X-T1 mirrorless camera and, for landscape photography, I primarily use my 18-135mm and 10-24mm lenses. That gives me an equivalent full-frame focal length range of 15-205mm.
I set up my tripod, camera and shutter release cable and waited. There was a sliver of color on the horizon and then it was gone. Angry storm clouds moved in quickly and, before I knew it, there was sheet lightning on the horizon and thunder booms that rattled my rib cage. I slapped on my 10-24mm lens and captured a few stills of the black clouds. Large drops of rain started to fall and I made a beeline for my car. I managed to get one decent keeper shot out of this little adventure. It's better than none, I suppose, but it's what I expect in this part of the country.

The storm clouds got so dark, I thought it was turning back to night.
A couple of days later, I went back to the same place but this time the weather cooperated. I had lots of impressive clouds and patchy light to create the perfect mood for a monochrome photograph. When I see light like this, I naturally think of Ansel Adams. Throughout his long artistic life, I don't think he ever really grew tired of the thrill of seeing the sun hit a rock just so.

The diagonal angle of the clouds and the mountains made, I think, a dynamic composition.
It took me a while to get the look of the above image right in post production. The strong light, shadows and textures suggested an aggressive approach to the black and white processing. Earlier attempts were too timid and the mood wasn't bold enough. The final version more closely matched how I felt at the moment of capture.
Even though I was focussed on capturing exciting light, I always keep my eyes peeled for as many picture-making opportunities as I can. With the prevalence of lakes, ponds rivers and rain in the area, I was on the lookout for interesting reflections.

Optical Illusion
I thought this made for an interesting composition. Even though I obviously knew what I was shooting in the field, while culling through the images later, I did a double take to figure out what was going on here and then remembered it was a reflection in a puddle. The similar and unified tones of the black and white, for me, conceal the idea initially.


Floating in Air
I had the same kind of reaction to this image when I tried to recall what was going on. Aside from the rocks breaking the surface of the water, the entire picture is a reflection of the boulders above and beyond the top of the frame.



One morning, my wife Linda and some friends drove the thirty miles from Gunnison to the trail at Dillon Pinnacles. This is an impressive rock outcrop that formed from the mudflows and lava of ancient volcanoes. The morning light hits the craggy rocks at an angle that accentuates their unique character so I wanted to be there for that visual experience. For the trip, I challenged myself to get one shot that represented the majesty of the Pinnacles. Black and white was my obvious choice because I believe it was better able to capture the ominous feeling I had while looking upwards.
I shoot in both RAW and JPEG and I use the in-camera film simulations to help me compose the photograph. I had the JPEGs set to black and white and the beauty of having an electonic viewfinder as opposed to the more traditional optical viewfinder is that I'm able to see what the photograph will look likebefore I press the shutter. For that reason, I was able to see everything in black and white and perhaps compose in a different way than I might have otherwise. It's a great advantage to me.
Still, as good as the JPEGs are straight out of the camera, I use them only as a reference. I like my black and white landscape images to be big and bold so that requires me to process the RAW files in Capture One and Silver Efex Pro. Given the control each program gives me over every pixel in the image, I am confident the end result will be exactly how I have previsualized it.

This is exactly how I remember my experience looking up at the Pinnacles.
The Dillon Pinnacles Trail is full of beautiful scenery. As early as it was, I was completely wide-eyed and attentive to every conceivable photo opportunity. There was fog, sun and clouds and the views of the Blue Mesa Reservoir were mesmerizing. The fact that the elevation is in excess of eight thousand feet was literally breathtaking :)






Sights all along the Dillon Pinnacles Trail.
I had passed a sign on the highway that said Wildlife Viewing Area a few times so I finally decided to give it a look. While I didn't see any actual wildlife, the viewpoint was from the top of a hill so the perspective of the valley below was pretty amazing. Again, the morning light did not disappoint and the spotlit landscape had me clicking my shutter in a frenzy.

I love the atmosphere in this photograph. The rich tones give it a timeless feel.
I've always loved the idea of roads that seem to go on forever. I mentioned in a previous article that it's the perfect metaphor for my nomadic lifestyle. This unpaved road up by the wildlife viewing area worked so well as a black and white photograph with the fantastic morning sky. Moments later, it started to rain so I retreated to my car. It's at times like these that I'm glad I have a weather-sealed camera and lens combo.

The Road to Infinity.
This last image is a bit of an oddity. I was visiting Crested Butte, a ski town outside of Gunnison with mountain views to die for. This little house caught my eye, particularly with the mountain behind. What's so striking is that it has no real definable style, at least not to me. As a result it's anonymous, out of time with its modern surroundings. Isolated as it is in the composition, it could be anywhere, at anytime and that's what I like most about it.

Mountain Home.
My Adobe Spark (formerly Slate) presentation of this post is available here

If you would like to keep up with my travels, sign up to be notified of new posts. Peace.
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