Showing posts with label Fujinon. Show all posts
Showing posts with label Fujinon. Show all posts

Monday, March 07, 2016

Published 12:55 AM by with 2 comments

Soul Searching - The Lost Art of Imperfection



These days, I don't seek out or need the newest, shiniest, sharpest and highest resolution photographic equipment money can buy. In fact, I'm consumed in my quest for the complete opposite - a kind of illusive, soulful quality that I've only experienced shooting with vintage lenses.


Years ago, before we (us humans) refined the process of mass production, things were crafted with our bare hands. Even those things that weren't entirely handmade at least had a visible human touch. It could be seen in loose dabs of paint or in the way, for instance, the corner of a piece of wood or metal was finished. It's now the kind of thing sought after by collectors but I've had an appreciation for it since my childhood.
Nowadays, if something is not perfect, we demand a replacement and, by cracky, we'll get it. While there are a few things in my life that I wish were perfect, my own photography is not one of them.
I spent years honing my craft so that my photographs would look "professional". At some point, I think I crossed that threshold because, looking back on my early attempts, I can clearly see marked improvement.
When I reached my goal, I thought I would be ecstatic but the more "perfect" my images became, the more they drifted from my vision of what a good photograph ought to be. With the passing of time, each image became more sterile, more clinical and had less... soul.
Today's cameras can capture enough information to faithfully render the appearance of anything we choose to shoot. Yet, companies keep telling us we need more resolution, bigger screens, more colors, sharper images. It's insane. What they don't say is that you need a brand new computer to process all of that new and unnecessary information or a bigger room to accommodate your giant TV. Now the multimegapixel photograph of your cat that you shot with your phone can be printed to fit a billboard in Times Square. You can also capture video of that same cat on your phone at a staggering 4K Ultra HD resolution that wouldn't look amiss on an IMAX screen!!
Aside from all this absurdity, it also becomes cost-prohibitive. For my upcoming trip to Alaska, I wanted a lens with a decent reach for my anticipated wildlife encounters. Fujifilm's new 100-400mm lens is almost $2000! I can't afford that. So I did my research on the Web to figure out a decent alternative. A quick look on eBay resulted in the discovery of a Russian lens, made in the 70s, that closely resembles a rocket launcher. It is 300mm (with my crop sensor, that's about a 450mm full-frame equivalency). It has no image stabilization, no autofocus but, with some care on a tripod, I can get perfectly acceptable shots. They are not going to be edge-to-edge sharp but I don't care. The lens cost me $80.
I have a couple more vintage Russian lenses that have helped me find the soul in my work once again. Maybe it's the flaws in the old glass, maybe it's the fact that I have to be more methodical using manual focus, or maybe I'm creating something beyond the basic image. Is it possible to photograph the emotion or feeling of a place? I think it is and these old lenses somehow strip all the precision away and facilitate that magic.
My most unusual experiment recently has been to couple my Fujifilm camera with an old pocket bellows camera from the early 1900s. The camera has none of the modern technology we take for granted like lens coatings and precise focusing, etc. but it produces a picture that sometimes gives me chills.
This is what fires me up so much about photography; capturing an unexpected presence, not just getting the perfect shot. If I wanted perfection, I wouldn't even have to pick up my camera, all I'd need to do is search through hundreds of similar images on Google. Now where's the fun in that?


My Adobe Spark (formerly Slate) presentation of this post is available here

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Sunday, February 28, 2016

Published 10:31 AM by with 0 comment

Life - The Truth is Out There



Traveling around a huge country like the United States teaches many lessons, but it mostly highlights my own ignorance. What I mean is that I have my own preconceived notion of what a place will be like before I arrive but the actual experience of being there and learning about the area is entirely different. Is this the ultimate road to enlightenment? Maybe not but, in the meantime, I'm enjoying the window view.
(I'm including some photographs I've captured over the past few weeks to accompany my thoughts).

I was educated, if you can call it that, in Ireland. I wasn't career-minded and didn't go to college because I had my sights set on being a rock star. Being educated, at the time, was nothing more than an inconvenience in my life, a hurdle to what I really wanted to do.
Years later, ironically, I had an epiphany; education is important. Not for the obvious reasons of getting a better job, etc. No, it had more to do with realizing that an education meant a greater potential for a rich life experience. To understand things, to know how one thing connects to another, to put things into historical perspective and to have the ability to critically think is...fulfilling! This is what my teachers were trying to tell me all along but my ignorance and resulting arrogance filtered it all out.

Never fear, because this sad story has a happy ending. I met some people along my journey who became mentors and made me want to be smarter. My diploma came from outside of an institution. Under the category of "Education" on my Facebook profile I named "University of Life Experience" as my college. While it sounds facetious, it's actually true.
I feel better now, in later life, that I did finally take the time to read the classics and learn, for example, some history about my own divided country. If nothing else, it gave me the confidence to discuss these things because they were backed up by facts, not uninformed opinion.

Which brings me back to my original thoughts about traveling. I feel like I'm constantly blowing cobwebs of my own ignorant thinking away. I had a preconceived notion of what Mississippi would be like, I was wrong. Its history is so profound that I have an entirely new appreciation for its diversity. Texas, with all its stereotypes and cliches, is full of beauty and kind-hearted, hard-working people. California has been a revelation. I never knew it had such variety of people and landscapes. We've been there the longest and never get the feeling we are stuck in one state (literally or metaphorically). The list goes on and we tackle Alaska this year also. I'm looking forward to gaining a new understanding of that magnificent state.



There is no substitute for experience, as the old saying goes. I'm here to tell you that there's a deep truth in those words. I would encourage as many people as possible to just get out there and do some serious exploring of this amazing world. At the very least, discover what is in your immediate area. You'll be surprised by what you might find and you just may learn something worthwhile.

My Adobe Spark (formerly Slate) presentation of this post is available here

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Wednesday, October 14, 2015

Published 8:08 AM by with 0 comment

Desert Oasis - Traversing California's Dusty Roads



Linda and I spent a month in Santee, California to see our daughter Tara. We didn't expect the sustained heat wave that had temperatures in the triple digits so we planned a few day trips to escape the inferno.
We decided to scout out some nearby locations in the desert that were on our upcoming travel agenda. Of course, going to the desert wasn't exactly going to help us escape the heat but that's what air conditioning in our car is for, right?
I have to admit that, on the outset, the idea of staying in a dry and dusty environment for any length of time was not something I was excited about. I have since discovered, however, that quite the opposite is true and that there is something wildly intoxicating about the desert.


It's hard to articulate my newfound attraction so I went in search of a way to explain the experience. First stop: Google. Almost immediately, I found the following quote by the founder of Desert Magazine, Randall Henderson. He sums up my own feelings beautifully:
"'For there are two deserts: One is a grim desolate wasteland. It is the home of venomous reptiles and stinging insects, of vicious thorn-covered plants and trees and unbearable heat ... visualized by those with children of luxury to whom any environment is intolerable which does not provide all the comforts and luxuries of a pampering civilization. ... The other desert -- the real desert -- is not for the eyes of the superficial observer or the fearful soul of the cynic. It is a land which reveals its true character only to those who come with courage, tolerance, and understanding. For those the desert holds rare gifts".
While I'm not sure about the courage part for myself, I certainly believe that there is beauty to be found everywhere, even if it first appears as all scrubs and sand. With open eyes and an open mind, the experience can be a rich one. Although we have only spent limited time there so far, I'm looking forward to immersing myself further in this new world.

Borrego Springs
The drive down into the flat plains of Anza-Borrego State Park is breathtaking. State Highway S22, better known as the Montezuma Grade, winds its way down in dramatic fashion with views of the surrounding Santa Rosa mountains, the sprawling desert floor and the Salton Sea on the horizon.

Borrego Springs itself is a small town, sprinkled with restaurants and RV parks. We actually spent most of our time a few miles east of town, checking out the Rockhouse Trail area where we intend to boondock (RV camping at primitive sites without electricity or water). At the end of this first day, I was smitten with the place.




Palm Springs
Palm Springs is one of a series of desert towns that run into each other in the Coachella Valley. It's most famous as a destination in the fifties and sixties for such celebrities as Humphrey Bogart, Lauren Bacall, Clarke Gable, the list goes on. Frank Sinatra and the Rat Pack were known to sing a tune or two while having a nightcap or six. Even Elvis got in on the action by spending his honeymoon there with Priscilla.
What drew me in mostly, however, was the other thing Palm Springs is famous for; it's mid-century modern architectural homes. For as long as I can remember, I've been a fan of all things 1950s. I love the fashion, the interior design and the genius architects of the time. I was thrilled when Mad Men first began to air because I could immerse myself in that world for an hour every week.
Mid-century modern architecture, while largely associated with mingling by the pool with martini in hand is, to me, a classic example of timeless design. The simplicity of lines, the flat washes of bold color and the scant but geometrically-perfect front yard schemes, all conspire to form a kind of perfection in my eyes.
For me, as a photographer, it was a rare treat. It was like walking around a movie set. The backdrop of mountains and palms was exotic as were the streets lined with these gorgeous houses.

Palm Springs Modernism
Mid-century modernism features clean lines, integrated indoor/outdoor living spaces and an overall simplicity in its aesthetic.


Bold Light and Shady Trees
The desert sun accentuates the architectural lines of the abundant mid-century residences. Some of these houses, when first built, came with landscape features, including a set of two palm trees. This particular neighborhood is aptly named Twin Palms.






Elephant Feet
All around are mountain views and huge palm trees with lofty bases reminiscent of the limbs of giant elephants.






The Slabs and East Jesus
If you're familiar with the world of Mad Max (sans the violence), then you can begin to imagine the experience of being at Slab City, or the Slabs, as it is known.
Deriving its name from the concrete slabs that remain from an abandoned World War II barracks, Slab City sits in the Sonoran Desert about 150 miles northeast of San Diego. It is a winter haven for campers, artists and those searching for meaning in their lives. You won't find running water, electrical services or convenience stores here.
The "residents" who live here during the non-summer months have concocted ingenious ways to exist off the grid. From composting toilets to eking power out of discarded and/or damaged solar panels and batteries, they have constructed a self-sustaining environment that runs against the odds. Given that it was only a couple of hours drive from Santee, it was a no-brainier for us to go visit.
Our first stop was Salvation Mountain, a man-made concrete mound about three stories high and covered top to bottom in acrylic paint. It was the brainchild of one Leonard Knight, former resident and larger-than-life character who would meet and greet the many daily visitors and even give personalized tours to a lucky few. Alas, he passed away in 2014 but his legacy is plain to see. Tourists are encouraged to add their own artwork and paint cans and brushes are provided for those feeling a creative urge.


We drove into the Slabs and gawked at some of the blinged-out RVs, cars and trucks. Each space was carved out with artistic flair, some more creative than others. One site was tidy, while the other looked more like a junkyard. There was an otherworldliness to the entire place. We zig-zagged our way until we reached East Jesus, the central hub of artistic expression.
Frankly, it was a little intimidating walking around and, although photography is allowed and actually welcomed, I couldn't help but feel a little like a voyeur on some stranger's property. There were fascinating objects everywhere, from a half-buried bus to items of decay refashioned as sculpture. There was even a human skull on display, complete with fake eyeballs.


While in the sculpture garden, I was welcomed by Frank. He lives in East Jesus and gives tours to visitors. I wasn't expecting to see anyone because it was upwards of a hundred degrees while we were there. Frank was a towering figure and friendly, if not a little manic. His sense of humor was somewhat jarring at first. After he gave me his initial schpiel, I asked if he lived here. "No, of course not, I'm just some fucking random guy who's here masquerading as a tour guide!", he replied. It was delivered with a Joker-like smile so I nervously laughed it off. He then left me among the sculptures saying I was free to photograph whatever I wanted.








Walking around the garden and seeing everything we typically throw away made me think about how much each of us consumes over time. It's amazing the things we take for granted, like never worrying about where our trash goes once it's collected. Anyway, enough trash talking, back to the story.
Frank appeared again shortly after my initial encounter. He materialized, it seemed, out of nowhere. If there was a soundtrack in my life, this is where the jump scare orchestral stab would occur.
Photographers, it seems, are held in high esteem here at East Jesus and maybe Frank even took a liking to me. He invited me behind the scenes for a private tour of some of the living quarters. I felt like Dorothy meeting the Wizard.

"Walter the Bus" had a recent mural makeover courtesy of artist Christina Angelina.

Frank spoke at a frenzied pace now and wouldn't allow questions. He laughed maniacally when I tried to speak and said "Look, this tour is a performance, don't interrupt. I guarantee your questions have been asked a thousand times and they will be answered all in good time". I'm not going to lie, there was something intimidating about Frank. Not threatening in any way, but I didn't want to distract him while he spoke for fear of getting him off his game.
In the meantime, Linda was sitting in the car waiting for me. The last she heard, I was taking a few photos in the sculpture garden and would be right back. That was twenty minutes ago! I managed to shoot her a text while Frank wasn't looking. "On a tour!" I quickly typed. I felt relieved that she at least knew I wasn't dead or kidnapped or attacked by scorpions.



The tour wound up and I was finally able to make my escape. Had I been there alone, I probably would have stayed to get some more photographs but with the high temperatures, I wanted to get back to Linda and move on. We'll be back in the area in at some point so I didn't feel like I was relinquishing a once-in-a-lifetime opportunity.
Honestly, the whole experience was unique, in the true sense of the word. I think that everyone who comes here will walk away with a different perception of the place. There is an associated Website for East Jesus and it's fascinating to read the mission statement. If you're interested, click on this link.

So, while Randall Henderson says there are two types of desert, I would add to that and say there is also an infinite number of experiences to be had. Being there, for me, was infectious. It has already gotten under my skin and I am counting the days until we return.
My Adobe Spark (formerly Slate) presentation of this post is available here
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Monday, September 07, 2015

Published 1:22 PM by with 0 comment

Good Light Hunting - In the Heart of Colorado



No doubt everyone knows that light is the single most important component in creating a photograph. There are basically two broad light categories in photography; natural and controlled lighting. The latter, as it suggests, is predictable and is used in studios or as a supplement to outdoor illumination. Natural light, on the other hand, is arguably not controllable so keeping an eye on weather forecasts, etc. is, not only helpful but a necessity.

Because my concentration at the moment is landscape photography, I'm always at the mercy of whatever Mother Nature doles out. What makes things even more unpredictable is that I'm constantly on the move from state to state.


The first thing I do when I arrive at a new location is use my iPhone to figure out a few basic things. For weather forecasts, I've found the AccuWeather app to be the most helpful, particularly for predicting fog. Everyone has their own favorite weather app but this works for me.

I use an app called PhotoPills to determine when the sun and moon rise and set. This app is like the Swiss Army knife of photography apps. It also displays three-dimensional Interactive overlays of the exact position of the sun and the moon throughout the day. So if I scout out a place where I want to shoot the sunset, for instance, I can hold my phone up to the sky and move it around to see the precise spot on the horizon where the sun will disappear. I also use the app to do calculations for long exposure when I am using an eight-stop ND filter. I can't recommend it enough so go get it.

  
AccuWeather and PhotoPills for me are indispensable.

I have found the quality of light to be different for each state I've visited. I'm not sure what accounts for this aside from the effects of being at a different longitude. I'm sure atmospheric conditions, both natural and man-made are also influencing factors. It's exciting for me because each situation poses new challenges and new rewards. There is nothing quite like being able to capture the personality of light.
Recently, my travels took me to Gunnison in Colorado. Here, at the end of the summer, there was all manner of weather drama. Almost every evening there was a thunderstorm and each morning had clouds hiding and revealing the sun. Across the landscape, this made for beautiful pools of light and when it shone full on the wonderful rock structures, I was in black and white heaven.
The day after I arrived, I got up at what felt like the witching hour to capture the sunrise. The weather called for intermittent clouds so I was expecting to make some interesting photographs. For this trip, I decided upon the nearby Blue Mesa Reservoir, a massive presence with craggy rocks looming above the water's edge. I had a hard time figuring out the most advantageous spot because I was literally driving in the dark. Eventually, in the faint glimmer of dawn, I managed to find a little turnoff and unpacked my gear.
I have a Fujifilm X-T1 mirrorless camera and, for landscape photography, I primarily use my 18-135mm and 10-24mm lenses. That gives me an equivalent full-frame focal length range of 15-205mm.
I set up my tripod, camera and shutter release cable and waited. There was a sliver of color on the horizon and then it was gone. Angry storm clouds moved in quickly and, before I knew it, there was sheet lightning on the horizon and thunder booms that rattled my rib cage. I slapped on my 10-24mm lens and captured a few stills of the black clouds. Large drops of rain started to fall and I made a beeline for my car. I managed to get one decent keeper shot out of this little adventure. It's better than none, I suppose, but it's what I expect in this part of the country.

The storm clouds got so dark, I thought it was turning back to night.
A couple of days later, I went back to the same place but this time the weather cooperated. I had lots of impressive clouds and patchy light to create the perfect mood for a monochrome photograph. When I see light like this, I naturally think of Ansel Adams. Throughout his long artistic life, I don't think he ever really grew tired of the thrill of seeing the sun hit a rock just so.

The diagonal angle of the clouds and the mountains made, I think, a dynamic composition.
It took me a while to get the look of the above image right in post production. The strong light, shadows and textures suggested an aggressive approach to the black and white processing. Earlier attempts were too timid and the mood wasn't bold enough. The final version more closely matched how I felt at the moment of capture.
Even though I was focussed on capturing exciting light, I always keep my eyes peeled for as many picture-making opportunities as I can. With the prevalence of lakes, ponds rivers and rain in the area, I was on the lookout for interesting reflections.

Optical Illusion
I thought this made for an interesting composition. Even though I obviously knew what I was shooting in the field, while culling through the images later, I did a double take to figure out what was going on here and then remembered it was a reflection in a puddle. The similar and unified tones of the black and white, for me, conceal the idea initially.


Floating in Air
I had the same kind of reaction to this image when I tried to recall what was going on. Aside from the rocks breaking the surface of the water, the entire picture is a reflection of the boulders above and beyond the top of the frame.



One morning, my wife Linda and some friends drove the thirty miles from Gunnison to the trail at Dillon Pinnacles. This is an impressive rock outcrop that formed from the mudflows and lava of ancient volcanoes. The morning light hits the craggy rocks at an angle that accentuates their unique character so I wanted to be there for that visual experience. For the trip, I challenged myself to get one shot that represented the majesty of the Pinnacles. Black and white was my obvious choice because I believe it was better able to capture the ominous feeling I had while looking upwards.
I shoot in both RAW and JPEG and I use the in-camera film simulations to help me compose the photograph. I had the JPEGs set to black and white and the beauty of having an electonic viewfinder as opposed to the more traditional optical viewfinder is that I'm able to see what the photograph will look likebefore I press the shutter. For that reason, I was able to see everything in black and white and perhaps compose in a different way than I might have otherwise. It's a great advantage to me.
Still, as good as the JPEGs are straight out of the camera, I use them only as a reference. I like my black and white landscape images to be big and bold so that requires me to process the RAW files in Capture One and Silver Efex Pro. Given the control each program gives me over every pixel in the image, I am confident the end result will be exactly how I have previsualized it.

This is exactly how I remember my experience looking up at the Pinnacles.
The Dillon Pinnacles Trail is full of beautiful scenery. As early as it was, I was completely wide-eyed and attentive to every conceivable photo opportunity. There was fog, sun and clouds and the views of the Blue Mesa Reservoir were mesmerizing. The fact that the elevation is in excess of eight thousand feet was literally breathtaking :)






Sights all along the Dillon Pinnacles Trail.
I had passed a sign on the highway that said Wildlife Viewing Area a few times so I finally decided to give it a look. While I didn't see any actual wildlife, the viewpoint was from the top of a hill so the perspective of the valley below was pretty amazing. Again, the morning light did not disappoint and the spotlit landscape had me clicking my shutter in a frenzy.

I love the atmosphere in this photograph. The rich tones give it a timeless feel.
I've always loved the idea of roads that seem to go on forever. I mentioned in a previous article that it's the perfect metaphor for my nomadic lifestyle. This unpaved road up by the wildlife viewing area worked so well as a black and white photograph with the fantastic morning sky. Moments later, it started to rain so I retreated to my car. It's at times like these that I'm glad I have a weather-sealed camera and lens combo.

The Road to Infinity.
This last image is a bit of an oddity. I was visiting Crested Butte, a ski town outside of Gunnison with mountain views to die for. This little house caught my eye, particularly with the mountain behind. What's so striking is that it has no real definable style, at least not to me. As a result it's anonymous, out of time with its modern surroundings. Isolated as it is in the composition, it could be anywhere, at anytime and that's what I like most about it.

Mountain Home.
My Adobe Spark (formerly Slate) presentation of this post is available here

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